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Volume 4, Issue 2 (October 2009)
Essays
The Art of Defiance
by Zohra Yusuf
The M.F. Husain Controversy: Identity, Intent and the Rise of Militant Fascism
by Beena Sarwar
Strategies of Exclusion
by Atteqa Ali
Photo Essay
Art Global
'Making Worlds ... For All' A message That Can Be A Movement
by Niilofur Farrukh
The State and Chinese Art
by Xhingyu Chen
Censorship in Contemporary Art?
by Fabrizio Ruggiero
Politics, Taboos and Censorship: Past and Present Foes in South American Art
by A.E. Felipe Andrade
A Persian Allegory of the Cave
by Alaleh Alamir
Timing
by Rob van Kranenburg
Books
Religion, Terror and Violence: Religious Studies Perspectives
reviewed by Sumbul Khan
Art Activism
A Treasure Ignored: Tehrik-e-Niswan
by Shazia Zuberi
Art Collector
Nukta-e-Nazar
NuktaArt in conversation with Feica
Art@Nukta
Creative Mélange: Mansur Rahi
by Arooj Zahid
Reinventing the Watercolor Wash
by Arooj Zahid
URBAN Claustrophobia
by Kanchi Mehta
Stitched Panoramas
by Niilof ur Farrukh
Scratching the Surface: Talking About Contemporary South Asian Art in Toronto
by Srimoyee Mitra and Ambereen Siddiqui
Dislocation, Images of Dream and Social Commentary: Mostafa Darrebaghi’s Paintings and Installations
by Hamid Keshmirshekan
From Mantlepiece to Art Space
by Ilona Yusuf
New Works, New Horizons at Istanbul’s MOMA
by Rumana Husain
Shatana Split Open
by Serene Al-Ahmad
EMERGING TALENT 2009
by Amra Ali
Celebrating Architecture
by Asma Husain
The Layered Gaze
by Shahana Rajani
What Strange Times Have Come?
by Saqlain Zaidi
KUCH to KAHO
by Asma Husain
Thinking Big
by Shahana Rajani
The Second India Art Summit
by Gemma Sharpe