Volume 4, Issue 2 (October 2009)

Essays

The Art of Defiance
by Zohra Yusuf

The M.F. Husain Controversy: Identity, Intent and the Rise of Militant Fascism
by Beena Sarwar

Strategies of Exclusion
by Atteqa Ali

Photo Essay

Fahim Siddiqui

Art Global

'Making Worlds ... For All' A message That Can Be A Movement
by Niilofur Farrukh

The State and Chinese Art
by Xhingyu Chen

Censorship in Contemporary Art?
by Fabrizio Ruggiero

Politics, Taboos and Censorship: Past and Present Foes in South American Art
by A.E. Felipe Andrade

A Persian Allegory of the Cave
by Alaleh Alamir

Timing
by Rob van Kranenburg

Books

Religion, Terror and Violence: Religious Studies Perspectives
reviewed by Sumbul Khan

Art Activism

A Treasure Ignored: Tehrik-e-Niswan
by Shazia Zuberi

Art Collector

NuktaArt visits Moeen Faruqi

Nukta-e-Nazar

NuktaArt in conversation with Feica

Art@Nukta

Creative Mélange: Mansur Rahi
by Arooj Zahid

Reinventing the Watercolor Wash
by Arooj Zahid

URBAN Claustrophobia
by Kanchi Mehta

Stitched Panoramas
by Niilof ur Farrukh

Scratching the Surface: Talking About Contemporary South Asian Art in Toronto
by Srimoyee Mitra and Ambereen Siddiqui

Dislocation, Images of Dream and Social Commentary: Mostafa Darrebaghi’s Paintings and Installations
by Hamid Keshmirshekan

From Mantlepiece to Art Space
by Ilona Yusuf

New Works, New Horizons at Istanbul’s MOMA
by Rumana Husain

Shatana Split Open
by Serene Al-Ahmad

EMERGING TALENT 2009
by Amra Ali

Celebrating Architecture
by Asma Husain

The Layered Gaze
by Shahana Rajani

What Strange Times Have Come?
by Saqlain Zaidi

KUCH to KAHO
by Asma Husain

Thinking Big
by Shahana Rajani

The Second India Art Summit
by Gemma Sharpe